Friday, February 22, 2013
Every year we watch the Oscar nominees and presenters trot down the red carpet to sit through a night where we expect them to accept their victory or defeat with equal aplomb. As laypeople, we judge their designer dresses, make up and hair, their speeches and bemoan or cheer those who win as confusing or richly deserved.
We all look forward optimistically, hoping these awards will further our favorite actors, directors and other filmmakers’ careers. Whether they do or not, we are always in for a mix of boredom, surprise, pretension and earnestness. Is this year going to offer anything we don’t already expect?
Let’s take a look at the nominees, and my take on who will walk away with what…Patch is holding a virtual Oscar party you can join in on and here is all the info you’ll need to add your opinion to the mix this Sunday. OK, here we go.
Note that if I haven’t seen any or most of the films, or I still don’t know enough about the category yet, I don’t comment, and say N/A.
Beasts of the Southern Wild
Life of Pi
Silver Linings Playbook
Zero Dark Thirty
Who will win: Argo
My wish: Lincoln
Why will Argo win? Because the runaway train that is the Ben Affleck backlash has no way to slow down. In a way, I agree we should give it to him, only because he was shut out, but on the other hand, Kathryn Bigelow felt no love either, and she doesn’t have Gigli in her past. She can’t help being a girl. So let’s let them cross each other out and give it to Lincoln. A beautiful, well-acted, well-crafted movie with humor, history and glorious production design, Lincoln is most deserving. Nevermind that Spielberg owns Hollywood, he still deserves it.
Bradley Cooper – Silver Linings Playbook
Daniel Day-Lewis – Lincoln
Hugh Jackman – Les Miserables
Joaquin Phoenix – The Master
Denzel Washington – Flight
Who will win: Daniel Day-Lewis
My wish: Daniel Day-Lewis
Why will Daniel win? Because he’s Daniel Day-Lewis, and because he is the consummate actor who climbs inside a character, and turns himself so completely over to it he loses himself and we experience a completely formed, complex world view through the words of the screenwriter. Plus it was filmed in Richmond. So there’s that…
Jessica Chastain – Zero Dark Thirty
Jennifer Lawrence – Silver Linings Playbook
Emmanuelle Riva – Amour
Naomi Watts – The Impossible
Quvenzhané Wallis – Beasts of the Southern Wild
Who will win: Jennifer Lawrence
My wish: Jessica Chastain
Why will Jennifer Lawrence win? Politics. Or lack thereof…The bad press about Zero Dark Thirty has hurt Chastain’s chances, which is very unfortunate. She was a powerhouse and deserves the win. Lawrence was great and both actresses are in for years of nominations, but she was part of an ensemble cast that I feel should be taken as a whole and no one actor should be singled out. That’s probably why they were all nominated. It is cool to note that this year we are seeing the record oldest and youngest nominees at the same time. That cancels them both out…Or Emmanuelle Riva will win…not likely.
BEST SUPPORTING ACTOR
Alan Arkin – Argo
Robert DeNiro – Silver Linings Playbook
Philip Seymour Hoffman – The Master
Tommy Lee Jones – Lincoln
Christoph Waltz – Django Unchained
Who will win: Christoph Waltz
My wish: Christoph Waltz
Why will Christoph Waltz win? Well, there is no telling if he will. This is a bit of crystal ball territory. Philip Seymour Hoffman was his usual consistently great self as the sweaty manipulator in The Master, but few have seen that movie, so he has less chance for that reason. Robert DeNiro is the best he has been in years, more restrained and less “DeNiro,” but he doesn’t have as much momentum this awards season as the others. Tommy Lee Jones, up until recently the most likely to win, has grumpiness against him, which is no reason to keep the award from him, and his performance was one of nuance and invention, but he famously sports something of a Texas accent, which is off topic to his character. The controversial darling Django Unchained has several other actors who could have easily been nominated, especially Leonardo DiCaprio. Waltz, however, is the heart of this ambiguous morality tale.
BEST SUPPORTING ACTRESS
Amy Adams – The Master
Sally Field – Lincoln
Anne Hathaway – Les Miserables
Helen Hunt – The Sessions
Jacki Weaver – Silver Linings Playbook
Who will win: Anne Hathaway
My wish: Anne Hathaway
Yes, kids, we are in for another earnest yet eye-roll-inducing speech, given the fact that she has won every award this season, and that the rest of the field, save Sally Field, is oddly stacked. Amy Adams was good but not a knockout, Helen Hunt was more lead actress and the Academy hates that kind of bait and switch, and Jacki Weaver, again, is part of an ensemble cast wherein no one cog should be singled out from the finely oiled machine. Field is a very distant possibility, depending on how sick the voters already were of Anne’s awkward sincerity. Since we know Sally Field may not be much better in her acceptance, we’ll assume it’ll go to Anne. Since her performance was remarkable, she deserves it.
Michael Haneke – Amour
Ang Lee – Life of Pi
David O. Russell – Silver Linings Playbook
Steven Spielberg – Lincoln
Benh Zeitlin – Beasts of the Southern Wild
Who will win: David O. Russell
My wish: Tie between Ang Lee and Kathryn Bigelow
Here is a big bunch of noise, screams of “we was robbed” still echoing from both the far reaches of Ben Affleck’s fandom and strong-willed, independent women everywhere. Both he and Bigelow were shut out of the Best Director category. I loved Argo but I’d give it to Spielberg for Lincoln or certainly Ang Lee for Life of Pi, which is an amazing achievement, given Lee had an unknown actor, a CGI tiger and an ocean as his director’s palette. It is a gorgeous film that works far better some would say then the book on which it is based. As to Bigelow, she has drowned in a sea of water boarding controversy, and, well, she’s a woman, so she can only win once a decade, apparently. Controversy aside, the film is a tightly constructed, beautifully crafted film that deserves recognition, but whatever. I choose David O. Russell because he is who deserves credit for Silver Linings coming together.
BEST ORIGINAL SCREENPLAY
Wes Anderson and Roman Coppola – Moonrise Kingdom
Mark Boal – Zero Dark Thirty
John Gatins – Flight
Michael Haneke – Amour
Quentin Tarantino – Django Unchained
What will win: Django Unchained
My wish: Django Unchained
To me this is the hottest and most difficult to call of all the categories this year. There are some amazing scripts in play, and we should all feel very lucky to be on the receiving end of them as moviegoers. I may be way off about the winner, but certainly Zero Dark Thirty will suffer from the controversy, Hollywood seems terrified of upsetting folks on the hill. Moonrise Kingdom was a brilliant little piece, but Django Unchained, with all its detractors, goes way beyond just genre-mashing and, with this flamboyant mindblower, makes movie history, dragging haters behind him by chains…
BEST ADAPTED SCREENPLAY
Lucy Alibar and Benh Zeitlin – Beasts of the Southern Wild
Tony Kushner – Lincoln
David Magee – Life of Pi
David O. Russell – Silver Linings Playbook
Chris Terio – Argo
Who will win: Silver Linings Playbook
My wish: Lincoln
Once again, scripting is front and center in the best of what movies have to offer this year. No contest, however, that as much as Russell crafted in his film an honest and somehow still charming portrayal of mental illness, Kushner is well respected and lauded as a writer in Hollywood, and Lincoln is worlds better as a script. I’d hate to think that the sheer genius of it went over the voters heads, since it is writers voting for writers. Here’s one case where I hope my wish comes true.
BEST ANIMATED FEATURE FILM
Band of Misfits
Who will win: Brave
My wish: Frankenweenie
You kids have no idea how much experimentation and expansion is happening in the world of animation right now. With each new feature, comes new techniques, better software and new inventions that are resulting in more lifelike, more deeply colored or visually compelling imagery and characterization. I wasn’t really on the Wreck-it bandwagon (with apologies to several friends who worked on it!) but Brave, ParaNorman, and Frankenweenie are all gorgeous, exceptional and inspiring pieces of animation, each with unique qualities worthy of an award. It is a time I’m very proud to be a part of the world of animation. Having said that, an entire film in black and white stop-motion with a broad collection of memorable well-developed characters makes Frankenweenie the movie I want to edge out the competition.
Anna Karenina – Seamus McGarvey
Django Unchained – Robert Richardson
Life of Pi – Claudio Miranda
Lincoln – Janusz Kaminski
Skyfall – Roger Deakins
What will win: Life of Pi
My wish: Skyfall
I’m crazy, right? Such gorgeous cinematography in all these films and I pick a Bond flick? Yes! This movie should have gotten much more recognition, including for Best Supporting Actor and Actress, as well as Best Director. Part of the difference we Bond fans see in this latest in the franchise is how stunningly filmed it is from start to finish. Yes, Life of Pi is deserving as well. The fact, however, that Roger Deakins has been nominated 10 times and never won is a travesty. Give it to him this year for crying out loud.
BEST COSTUME DESIGN
Anna Karenina – Jacqueline Durran
Les Misérables – Paco Delgado
Lincoln – Joanna Johnston
Mirror Mirror – Eiko Ishioka
Snow White and the Huntsman – Colleen Atwood
Who will win: Anna Karenina
My wish: Mirror Mirror
Eiko Ishioka is an amazing costume designer who died on Jan. 21, 2012, after creating the gorgeous and inventive collection for Mirror Mirror. She won for 1992’s Dracula, as well as being nominated for a Tony for M. Butterfly. It isn’t like we have to give awards just because someone passes, but in this case, Mirror Mirror reflects her body of work beautifully, and should be recognized.
BEST DOCUMENTARY FEATURE
5 Broken Cameras
How to Survive a Plague
The Invisible War
Searching for Sugar Man
Who will win: Searching for Sugar Man
My wish: Searching for Sugar Man
How often do you see a documentary that actually has a happy ending? Who even saw any of the other contenders? (Well, I did, but who else?) I reviewed this highly entertaining and fascinating “stranger than fiction” story and suspect it resonated most with the voters.
BEST DOCUMENTARY SHORT SUBJECT
Inocente – Sean Fine and Andrea Nix Fine
Kings Point – Sari Gilman and Jedd Wider
Mondays at Racine – Cynthia Wade and Robin Honan
Open Heart – Kief Davidson and Cori Shepherd Stern
Redemption – Jon Alpert and Matthew O’Neill
BEST FILM EDITING
Argo – William Goldenberg
Life of Pi – Tim Squyres
Lincoln – Michael Kahn
Silver Linings Playbook – Jay Cassidy and Crispin Struthers
Zero Dark Thirty – Dylan Tichenor and William Goldenberg
BEST FOREIGN FILM
Amour – Austria
Kon-Tiki – Norway
No – Chile
A Royal Affair – Denmark
War Witch – Canada
What will win: Amour
My wish: Amour
I wish Amour not just because it’s a lovely yet incredibly depressing film, but because if they give the Foreign Film award it won’t win the larger prizes, although I love that the Academy is willing to countenance a foreign film as a potential Best Movie or Director winner.
BEST MAKEUP AND HAIRSTYLING
Hitchcock – Howard Berger, Peter Montagna and Martin Samuel
The Hobbit: An Unexpected Journey – Peter Swords King, Rick Findlater and Tami Lane
Les Misérables – Lisa Westcott and Julie Dartnell
Who will win: Les Miserables
My wish: Les Miserables
Did you hear? She cut her hair! No, seriously, they did a great job at creating the characters from the outside in, especially given the number of close-ups and crane shots. That can be a challenge for makeup and hair design.
BEST ORIGINAL SCORE
Anna Karenina – Dario Marianelli
Argo – Alexandre Desplat
Life of Pi – Mychael Danna
Lincoln – John Williams
Skyfall – Thomas Newman
Who will win: Can’t call it.
My wish: The Master
Every year, the score category makes me so crazy…There have been many years where my choice isn’t even chosen as contender, and this year is no different. Those chosen are all great writers, and any one of them is deserving, although Thomas Newman is one of my favorite film composers, so I might give it to him. Usually if John Williams is up for it, he wins, and at least this year he is coming with one of his best in years. Unfortunately, the inventive and integral score for The Master isn’t in the running, and it’s a shame. Buy it now. It is like jazz, Debussey, and beat poetry mixed together, and becomes like an additional character in the film. Did I say buy it now?
BEST ORIGINAL SONG
Before My Time from Chasing Ice – Music and Lyric by J. Ralph
Everybody Needs A Best Friend from Ted – Music by Walter Murphy; Lyric by Seth MacFarlane
Pi’s Lullaby from Life of Pi – Music by Mychael Danna; Lyric by Bombay Jayashri
Skyfall from Skyfall – Music and Lyric by Adele Adkins and Paul Epworth
Suddenly from Les Misérables – Music by Claude-Michel Schönberg; Lyric by Herbert Kretzmer and Alain Boublil
What will win: Skyfall
My wish: Skyfall
You’d think the boys behind Les Miserables making a new song for the movie would make them a shoe-in for winning an Oscar, but so far this awards season, Adele has walked away with every statue. The song is good, and honestly the song from Les Miserables is good but not great. So there, multimillionaire frenchmen…
BEST PRODUCTION DESIGN
Anna Karenina – Production Design: Sarah Greenwood; Set Decoration: Katie Spencer
The Hobbit: An Unexpected Journey – Production Design: Dan Hennah; Set Decoration: Ra Vincent and Simon Bright
Les Misérables – Production Design: Eve Stewart; Set Decoration: Anna Lynch-Robinson
Life of Pi – Production Design: David Gropman; Set Decoration: Anna Pinnock
Lincoln – Production Design: Rick Carter; Set Decoration: Jim Erickson
What will win: Les Miserables
My wish: Anna Karenina
I’m a bit torn about the production design in Les Miserables. Such as it was, it was lovely, but the way the film bounced back and forth between tight shots and big crane shots without much in between made me wish we could have seen more and had more opportunity as viewers to experience their worlds from more visual perspectives. Anna Karenina was so beautiful to look at and so meticulously appointed one could watch without sound and be happy.
BEST ANIMATED SHORT FILM
Adam and Dog – Minkyu Lee
Fresh Guacamole – PES
Head over Heels – Timothy Reckart and Fodhla Cronin O’Reilly
Maggie Simpson in The Longest Daycare – David Silverman
Paperman – John Kahrs
What will win: Paperman
My wish: Paperman
A lovely bit of whimsy mixed with expert animation that every animator friend of mine has oohed and awed over since its release. Dozens of animators from across Disney, Warner Brothers, Dreamworks, and DC can’t be wrong, can they? Don’t they also vote?
BEST LIVE ACTION SHORT FILM
Asad – Bryan Buckley and Mino Jarjoura
Buzkashi Boys – Sam French and Ariel Nasr
Curfew – Shawn Christensen
Death of a Shadow (Dood van een Schaduw) – Tom Van Avermaet and Ellen De Waele
Henry, Yan England
BEST SOUND EDITING
Argo – Erik Aadahl and Ethan Van der Ryn
Django Unchained – Wylie Stateman
Life of Pi – Eugene Gearty and Philip Stockton
Skyfall – Per Hallberg and Karen Baker Landers
Zero Dark Thirty – Paul N.J. Ottosson
N/A with caveat: I have friends who do this for a living and am learning more about what goes into the best in sound editing. Next year I’ll have a valid opinion. For now I’ll keep my mouth shut!
BEST SOUND MIXING
Argo – John Reitz, Gregg Rudloff and Jose Antonio Garcia
Les Misérables – Andy Nelson, Mark Paterson and Simon Hayes
Life of Pi – Ron Bartlett, D.M. Hemphill and Drew Kunin
Lincoln – Andy Nelson, Gary Rydstrom and Ronald Judkins
Skyfall – Scott Millan, Greg P. Russell and Stuart Wilson
N/A: refer to the above.
BEST VISUAL EFFECTS
The Hobbit: An Unexpected Journey – Joe Letteri, Eric Saindon, David Clayton and R. Christopher White
Life of Pi – Bill Westenhofer, Guillaume Rocheron, Erik-Jan De Boer and Donald R. Elliott
Marvel’s The Avengers – Janek Sirrs, Jeff White, Guy Williams and Dan Sudick
Prometheus, Richard Stammers, Trevor Wood, Charley Henley and Martin Hill
Snow White and the Huntsman – Cedric Nicolas-Troyan, Philip Brennan, Neil Corbould and Michael Dawson
Who will win: Life of Pi
My wish: Tie between Life of Pi and The Avengers
You have a movie with a boy, a CGI tiger and an ocean, and you have a movie with a bunch of superheroes and explosions and cataclysmic disasters. Either we follow the “Wow, he kept our attention with just that,” or the “Go big or go home” philosophy. I am inclined to go with Life of Pi. It is genius to do so much with what everyone says will be the kiss of death.
Those are my predictions and hopes, and another hope is that you’ll join me, Cinema Siren, on Sunday in our chat room and share your thoughts, rip on the best and worst dressed, and let your fingers do the screaming when your favorites win or lose.
You can go to your local Patch site (or if you don’t see it go to Herndon Patch). We’d love you to join our virtual Oscar party!
While the famous people are all pulling their thongs out of strange places and freezing on the red carpet, we can wear our pajamas and drink Mai Tais… of course I’ll still be wearing my tiara. Cinema Siren always wears her tiara…